The industry was still recovering from the damage caused by Napster and other file-sharing services, physical and digital sales were in decline, and streaming had yet to reach critical mass.īoyarski, who had worked at Universal Music Publishing Group (UMPG) and Warner Chappell Music, and Fritz, a veteran of entertainment law firm Grubman Shire Meiselas & Sacks, as well as Charles Koppelman’s CAK Entertainment, joined what the former describes as “a lot of really smart, entrepreneurial people inside of the record and publishing companies and at outside law firms trying to figure out, searching for the right solution.” Jason Boyarski and David Fritz launched their entertainment law practice, Boyarski Fritz, in December 2011, at a time when the music business was in “somewhat of a dark place,” says Boyarski.
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